Get Out

Get Out
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Just because you're invited, doesn't mean you're welcome.
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7.1/10 by 722 users
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A young black man visits his white girlfriend's cursed family estate. He finds out that many of its residents, who are black, have gone missing in the past.

Title:Get Out
Release Date:February 24, 2017
Production Co.:Blumhouse Productions, QC Entertainment, Monkeypaw Productions
Production Countries:United States of America
Director:Rhona Rubio, Jordan Peele
Casts:, , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
Plot Keywords:parents-in-law, satire, dark comedy, interracial relationship, disappearance, african american, police harassment, missing, race-conscious
Alternative Titles:
  • Uciekaj! - [PL]
  • ¡Huye! - [AR]

Get Out Reviews

  • A deliciously wry slice of cinematic paranoia served with a side of cathartic humor
    by greenmemo on 25 February 2017

    230 out of 379 people found the following review useful:

    I was totally blown away by "Get Out". This is one of the best turns by an actor behind the camera I have ever seen (Jordan Peele). Probably the timely social commentary is going to loom heavily when discussing the film; however this shouldn't conceal the fact that this is a masterclass cinematic work that has been thought out to the very last detail; it knows what it wants to say and how to say it, balancing wildly contrasting tones and defeating potential clichés with stylistic bravura. Of course everything stems from a rock solid script, where the plot points are cunningly engineered, and then fleshed out in a disciplined and take no prisoners kind of way. There is much to admire and enjoy here, including some surreal imagery that is as stunning as it is disturbing, always serving a purpose within the narrative; there are also brilliant soundtrack choices and you get subtle nods at the masters that came before (Kubrick and Wes Craven, specially). The plot involves one of those frequently visited "fish out of the water" type of settings where it's up to the director to make the most out of it. Which fortunately is the case here, since you get plenty of real character development and a tight, innuendo ridden dialogue that really gets under your skin. All this, together with the inspired camera work, contributes to the success of this tricky enterprise as a whole. Kudos to all the actors for going all the way with the provocative premise, considering that it could have totally backfired in less confident hands. Everything amounts to a deliciously wry slice of cinematic paranoia served with a side of cathartic humor that appropriately reflects the political times we are living in. And make no mistake, this is a true horror film that refuses to pull any punches; if you thought that Peele was just going for the laughs and the cheap scares you will get more than you bargained for. "Get out" will shock you silly and will make you think. Then you will want to watch it again and try to figure out how he pulled the trick.

  • Just because you're invited, doesn't mean you're welcome.
    by Asif Khan (asifahsankhan) on 17 March 2017

    136 out of 210 people found the following review useful:

    "Get Out" takes the initial premise of "Guess Who's Coming to Dinner" and then twists it with "The Stepford Wives" to create a compelling, thoughtful critique of white power. Peele, of course, isn't arguing that white people are out to hypnotise black people. Instead, Get Out is a stinging criticism of the white liberalism that carries itself as empathetic towards blacks, but that empathy only extends as far as white control. Peele isn't taking aim at Neo- Nazis and other whites who would angrily shout the n-word. They're a lost cause. Instead, he's looking at those who profess their lack of racism, but only do so if they can maintain their dominance over black people in the most insidious manner possible. As Chris pointedly notes to Rose at party full of white people, "Has anyone here ever met a black person that didn't work for them?"

    The film is genuinely creepy. Instead of cheesy music and grotesque torture porn, Peele relies on the unknown to draw you in. What is happening here? The plot builds like a slow boil to a terror explosion. Clues to the outcome are evident from the first second, but it takes the entire run-time to pull everything together. It's such a joy to be surprised by a horror outcome. I don't think I've seen a genre film this inventive since Cabin in the Woods. The resolve is truly satisfying.

    My favourite aspect of Get Out is the intelligence of the characters. There's a lot to like, but beyond the deeper themes; the characters aren't morons. I cringe every time I watch a genre film and the characters don't behave logically. Chris and Rose are not fools. Something is amiss, enough to warrant wariness. Anyone in this situation would be unnerved as events play out. Credit again to Peele for writing characters that act rationally.

    "Get Out" doesn't replace the scares with humour – Peele is too smart to do that. Instead, he balances the fear with laughs and then laces everything with social comment and that unsettling tone. The fact that Chris is so eminently likable just underlines it. It all adds up to something of a treat – for everybody, not just horror fans.

  • Lives up to the hype
    by ramair350 on 6 March 2017

    166 out of 276 people found the following review useful:

    I decided to see this film at the theater after hearing some of the hype (which was basically that it is an excellent horror film that is told from the perspective of a black man).

    Well, I can see this would be truly the worst nightmare of a black man (and really the worst nightmare for us all). This is NOT a film that tries to make the viewer feel "sorry" for black people, nor is it at all preachy, but it is just a good old fashioned horror film with a fresh new setting. I'm an old white guy by the way.

    The acting is wonderful, and directing is amazing. The film, while mostly horror, is actually completely hilarious in some parts, making it the funniest AND scariest movie I have seen in ages (no easy feat). It is a shame that the film will likely not be regarded in the company of Academy Award potential nominees, because the directing and acting is honestly Oscar worthy. Again, no small feat for a horror movie that is also funny.

    In summary, this is a MUST SEE at the theater and one of the best films of the year. It is a fun ride that is very well done!

  • I Don't Get The Hype
    by Brew_Swayne on 10 March 2017

    132 out of 219 people found the following review useful:

    Cookie cutter suspense/thriller/horror flick that isn't very suspenseful or thrilling or scary. The only real change from the norm with this movie is that it features a black man as the lead actor, and early on in the movie it touches on some of the problems of interracial dating from a black man's perspective. I found some humor in the way that the white family (and later their white friends) interacted with the lead character...going out of their way at times to either talk about how they voted for Obama or loved Tiger Woods...basically doing and saying the things that white people say to black people in an attempt to prove they aren't racist.

    The movie was fairly well acted despite not having exceptionally strong material to work with. I thought Daniel Kaluuya turned in a really strong performance and he really saved the movie, imo. I don't recall seeing him in anything else prior to this, but he gave an excellent performance and I hope this serves as a spring board to bigger/better roles. Seems very talented.

    My biggest problem with this movie is that I don't know what it was trying to be. It kind of hit a little bit with the satire and humor elements, but all in all, the movie just doesn't really have an identity. The "mystery" behind everything was not well concealed and the twists and turns you'd expect from a movie like this just never developed. I had this movie pretty well figured out before the halfway mark, which made for a less enjoyable second half of the movie. I'm pretty amazed by all the rave reviews it's getting.

    It is a bit groundbreaking in it's own right strictly for the cultural/social/racial aspect - as that has been largely neglected in movies, especially this genre - but once you get passed that and just look at the movie for what it is, I can't really give this movie anything more than a middling grade. Not the worst movie I've ever seen by any means, but also not really worth the price of admission either. Wait for it to come out on Netflix and enjoy from the comfort of your own couch.

  • Best debut from a first time director in years
    by dre64-2 on 12 May 2017

    46 out of 65 people found the following review useful:

    Let's clear the air about this film. It's not a horror film. It's not a comedy. What it is, is a suspenseful thriller of the highest level, worthy to be compared to Hitchcock caliber. The humor is there, along with a few horror scenes, but not enough to overshadow the main theme of the story. The film hits all cylinders with almost no misfires. As far as complaints that the film is racist, it is not. It would work just as well with an all-black or all-white cast. Those complaints are from people who are uncomfortable with black people or interracial relationships and are letting it distract them from the narrative of the film. I most certainly hope that it reaches the wider audience that it so richly deserves.

  • Get Out is impressive and awesome. Best horror I've seen in a while!
    by tharris190 on 22 February 2017

    135 out of 250 people found the following review useful:

    People will be talking about this one for a long time.

    Get Out is an extremely powerful, poignant horror movie with some humor. Whatever elements of action or schlock that are present take a backseat to the real human drama that plays out when Chris (Daniel Kaluuya) meets his white girlfriend's eccentric family.

    The characters are fleshed out immaculately, with Bradley Whitford and Catherine Keener in their best performances to date, and Caleb Landry Jones in an appropriately, intensely creepy role. But Kaluuya is the star here, and he delivers with zeal a shocking depth and range of emotions. In fact, more often than not its what he doesn't say that delivers the most impact... which is all to say that this masterpiece could not have been accomplished without the masterful direction of Jordan Peele.

    Peele builds atmosphere and tension like the Big Bang, dunking you into the mind of the main character while he navigates through very visceral danger.

    If you're looking for a film that sets out to entertain first and foremost with shock and terror, but also with poignant social commentary and real philosophical meat to chew on, Get Out is the movie you need to see. You won't regret it.

    This isn't Cabin in the Woods, Peele isn't interested in subverting genre conventions. What he has crafted is entirely original and unique, and thankfully free of clichés or stereotypes.

    There are no "monsters" here. The real villains are entitlement, egotism, and objectification, and g.d. they are scary!

  • Cleverly written with an eerie twist
    by sly-64836 on 25 February 2017

    129 out of 240 people found the following review useful:

    This movie is appropriately in a genre Mr. Jordan Peele has christened, "Social Thriller". The movie creates a very unsettling feeling from the beginning that slowly builds to a crescendo, that forces the viewer to see prejudices head on. When all is said and done, you now have kind of a bird's eye view of what is wrong with society. But besides that, it hints a Hitchcock-type of thrill that is sure to deliver Goosebumps. A HUGE congratulations to Jordan Peele for hitting a HOME RUN, his first time up to bat. Looking forward to future projects from him. GO SEE, GET OUT. 😀😀

  • Why you ask yourself
    by treborquest on 28 April 2017

    90 out of 163 people found the following review useful:

    Seriously, when I watched this, it had an 8.1 rating. I wonder why. I mean, has this movie been watched only by people who have never seen classics before? The acting is not natural, the story line is incomplete on all accounts and the entire movie is totally predictable. It's a combination of a couple of movies combined. But the story line is as unoriginal as the title itself. And then suddenly the story switches from the friend point of view, where it seems to want to become a comedy, but it never really does. This is not a horror movie. Seriously, it is insulting to all horror movies ever made to be called a movie in that genre. It is a thriller with some horror filled seconds at the most. It is never scary, it is never really keeping you on the edge of your chair. And on top of that, it's never believable. Especially the 'transplant' part. I mean, hello, it was about hypnosis, remember, and why all the white people want their brain cut in half or something and become a different race. How does it work keeping both identities alive? The other black men and women seem to just be in some kind of trance but who's inside? the husband of the older woman? and did she pick him for being a hot young black man, or what? I notice it irritates me to write this actually. it's badly written and directed, racist and stereotypical and just misguiding of genres. Want to see a good movie? Want to save some precious time in your life? Then watch anything but this.

  • Over-Hyped
    by Tweetienator on 25 April 2017

    58 out of 103 people found the following review useful:

    Someone remembers the movie Skeleton Key (2005, with Kate Hudson!)!? Well, Get Out is basically the same plot, whereas in Skeleton Key the transferring of the soul or whatever is done with black magic in Skeleton Key a neurosurgical procedure gets the job done. So the plot is mostly (besides the well-done clash of black and white folks culture) a copy cat (as Skeleton Key plays in the deep South we got also a little of the element of black/white culture contrasting).

    If I would have to choose one of both movies for a cinematic night I would watch Skeleton Key again - the dark atmosphere is far more superior and the suspense also. Also, the end is far more delicate.

    Get Out has some strong points - good actors, good production and especially the strange circumstances and the growing paranoia of our hero are well done.

    On the other side, the movie has some weak points too - imo the (re)solution is hasty done, also there are some (important) mistakes - how our hero got the stuff into his ears, as he was bound to the chair!? And the brother didn't see the stuff in his ears - he was clearly checking if the "sheep" is asleep and knocked out. Also didn't our bad girl see (in darkness!) the blitz of the phone - she should know that the possession/control or whatever of the host is broken, so she would never give the gun to her "grandfather". Also the comedy- element is a mixed up experience - some of the subtle comedy elements I liked, tiresome for me was the black buddy stuff cliché: comedy Kitsch zillion times done before - it was (partly) funny with Eddie Murphy in the 80s and maybe you got away with it in the 90s but now...

    And whereas a good horror-movie mostly has a bad end for the hero (Kate Hudson loses in a certain, surprising kind of way the struggle for her life), the director didn't have the guts to make a "good" end - ofc our hero should be shot by a cop or ride the electrical chair.

    Why!? Because the mad comrades of our good evil family would ofc "delete" all pieces of evidence of crime there will be just one solution left - our black guy would be sentenced for mass murder, or who would believe his story, as many "decent" white folks would testify against him!?

    This p.c.-ending is imo too much of fishing for compliments or sucking up to the common mainstream agenda - and a good horror movie should everything but be p.c.

    In short - I was entertained and I like many aspects of the movie (especially all the actors), but in my horror collection Get Out won't make it into the top 100, maybe top 250 but even that's not for sure. The script/the story just is not good enough. Get Out: a little "horror" snack (the horror-elements are just a few, it's more a comedy and thriller). Not more but no less.

    note:imo the political agenda or bias of many of the reviewers and the votings (with black actors as main characters) is ridiculous - masterpieces like Blade Runner got a rating of 8.2 or Apocalypse Now one of 8.5 and Get Out got 8.1... I've become accustomed to subtract 2 to up to 3 points (deciding if I watch or not) if a black actor is involved as the main character(s) - not because of racism but because the ratings are f***ed up and I can't trust them (like all those fake reviews and ratings in the beginning of any movie initiated by the studios) - Get Out is just another proof of this hysteria.

  • Can't think of a good reason to recommend this!
    by UnderworldRocks on 24 April 2017

    41 out of 71 people found the following review useful:

    Can't think of a good reason to recommend this.

    A black guy visited his white girlfriend's family estate only to discover the family's dark secret. What would happen? Could he survive? That premise drew me to this movie.

    The movie seemed suspenseful, but concluded poorly. As the dark secret unfolded, I noticed some similarities in concept between a movie released over 10 years ago and this one. After I finished watching this one, I realized that a movie released over 10 years ago could wipe the floor with this one. That movie released 10 years ago is called The Skeleton Key.

    The Skeleton Key has a perfectly dark ending, whereas this movie has a happy and funny one. Happy ending? OK. But being hilarious is a big Nono. It completely ruined the horror built up during the first 1 hour of the movie! What is the point of having the black police officer coming to Chris' rescue? What is the point of having this funny character in the first place? The movie would have been 10 times better without him!

    Instead, the ending the audience got was rushed and underwhelming. The black police officer out of nowhere appeared and rescued Chris. When asked how he had found Chris, he simply said he had relied on telecommunications network to track Chris. Situation handled! Really? How funny.

    Perhaps the filmmaker ran out of ideas and didn't even know how to conclude the movie. Personally, I would have loved to see a dark ending. The white police officer who appeared earlier in the movie would arrive and arrest Chris. Rosy lying on the ground with gunshot wound in her belly would scream for help, framing Chris for murder. After all, Chris touched the gun and his fingerprints were on it. The movie wished to express the oppression of black people in a white society, right? Chris getting locked up and prosecuted would suit the theme perfectly. Nobody would believe his story. The ending would be even better if Rosy was rescued and set free, continuing to ensnare black people for her cult white secret society's harvest and sacrifice. Wouldn't that have been darker, more logical and exciting?

    The current ending is awful. It completely ruins the story. This movie is awarded 1 star for decent acting. Recognized the lead from Black Mirror. He's really good.

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