Wounded Civil War soldier, John Dunbar tries to commit suicide – and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
|Title||:||Dances with Wolves|
|Release Date||:||November 9, 1990|
|Genres||:||Adventure, Drama, Western|
|Production Co.||:||Tig Productions, Majestic Films International|
|Production Countries||:||United Kingdom, United States of America|
|Director||:||Kevin Costner, Jan Evans|
|Casts||:||Kevin Costner, Mary McDonnell, Graham Greene, Rodney A. Grant, Floyd Red Crow Westerman, Tantoo Cardinal, Robert Pastorelli, Charles Rocket, Maury Chaykin, Jimmy Herman, Nathan Lee Chasing His Horse, Michael Spears, Jason R. Lone Hill, Tony Pierce, Doris Leader Charge, Tom Everett, Larry Joshua, Kirk Baltz, Wayne Grace, Donald Hotton, Annie Costner, Elisa Daniel, Percy White Plume, John Tail, Steve Reevis, Sheldon Peters Wolfchild, Wes Studi, Buffalo Child, Clayton Big Eagle, Richard Leader Charge, Redwing Ted Nez, Marvin Holy, Raymond Newholy, David J. Fuller, Ryan White Bull, Otakuye Conroy, Maretta Big Crow, Steven Chambers, William H. Burton Jr., Bill W. Curry, Nick Thompson, Carter Hanner, Kent Hays, Robert Goldman, Frank P. Costanza, James A. Mitchell, R. L. Curtin, Justin, Teddy, Buck, Conor Duffy, R.L. Curtin, Michael Horton, J. Wesley Adams, Bill Costner, Jim Wilson, William Rossman|
|Plot Keywords||:||countryside, based on novel, suicide attempt, culture clash, loss of family, deserter, interpreter, language barrier, self-discovery, dakota, buffalo, chief, unsociability, freedom, native american, 19th century, lakota|
Dances with Wolves Reviews
- Not in top 250?by 16 January 2004on
358 out of 471 people found the following review useful:
What the heck are people thinking! There are way too many Costner bashers on the internet. This was a revolutionary motion picture at its time, never has a story about the American indians ever been told with such emotion and grace. What a sham. For the record Costner is not that bad of an actor.
- Hard to believeby 27 November 2003on
399 out of 555 people found the following review useful:
It's hard for me to believe this movie is not in the top 250 on IMBD all time list. Without question my favorite movie. We live in a strange world when Pulp Fiction ranks #18, and Dances with Wolves just misses the top 250. Maybe people thought the movie was too long. I thought it was too short if anything. I wish they would have gone on forever. What an incredible story. The way Costner continued to get closer and closer to the Indians way masterfuly done.
- One of the great onesby 27 August 2003on
273 out of 335 people found the following review useful:
People who say this movie is long and boring have obviously never sat through, oh, "Lawrence of Arabia," "Patton," "Doctor Zhivago," "The Godfather," "Ran," "Seven Samurai," or probably even "Braveheart." Thank God that not every filmmaker believes that a car must explode every 10 seconds in order for his movie to be a success. Kevin Costner is one of those directors who prefers the long format. David Lean, Francis Coppola and Mel Gibson, to name a very few, also worked in that format, and produced lasting works of art that also packed theaters. There are plenty of options for people who don't like movies that take the time to build character, drama and suspense, movies like "Charlie's Angels: Full Throttle," "Freddy Vs. Jason," and "Weekend at Bernie's." I don't think any of those movies has ever been called "boring," but they sure are crap cinema.
Onward. "Dances With Wolves" thrilled audiences way back in 1990 and made so darn much money precisely because people had forgotten the pleasures of the long narrative, the Western genre, and movies that weren't special effects schlock-fests. It remains an inspiring and moving experience, especially on DVD, which preserves the movie's theatrical sound and picture quality.
Costner's direction is first-rate. He's able to blend intimate drama with big, sprawling action that covers a huge canvas. I'm amazed at how smoothly the film segues from movement to movement -- action, alienation, suspense, social commentary, romance. Heck, Spielberg could take a lesson or two from this movie.
He also gets great performances out of his cast. I don't think of these people as actors, but as the characters they play. That's a compliment not just to the actors themselves, but their director. And, yes, Costner is terrific as John Dunbar.
Sure, it's easy to call "Dances" politically correct w/ reference to the Indians. But it also treats them as people and, better yet, as fictional characters whose lives are made part of a fascinating narrative. I just consider all the complaints about the politics of this movie as total hogwash.
Finally, the movie is beautifully shot, has an unforgettable score, and is very well-written. I've never thought of "Dances" as a Western, but a modern action picture/character study that avoids all the boring cliches of the Western genre. Here is a movie that stands for something, means something, and deserves at least as much respect as some of the overrated dreck we've gotten saddled with lately.
- I love this movie!by 9 November 2004on
241 out of 284 people found the following review useful:
It's hard for me to believe that fourteen years have passed since I first saw this movie. I was only ten at the time, and this was the first movie I ever saw that was both an eye-filling and a mind-filling spectacle.
It was also one of only two theater-going experiences that I ever had with my late grandmother, and I always think of her when I watch this movie. It always takes me back to an earlier time in my life no matter how many times I see it.
This is one movie that could only have been made in the post-Vietnam era, when Americans began to question the moral integrity of their country. How else to explain, in the opening sequence depicting the Civil War, the utter cynicism of the soldier who speaks with Costner's Dunbar character? Or Dunbar's later observation that "there was no dark political objective" to the Sioux battling the Pawnee?
The scene in which Dunbar receives his orders from the mentally ill major also seems to speak of Vietnam, the point being I think that while an entire generation of young men was being cut down in the Civil War the West was being managed by those who were not fit for duty in the larger conflict. Maury Chaykin, in that one scene, gives one of the most memorable and haunting performances I've seen in any film.
This movie's depiction of Native Americans is not nearly as politically correct as it may seem to those who watch it only once or only at a superficial level. In the very first scene depicting Indians, in fact, a Pawnee brave shoots one of the white characters full of arrows and then scalps him. The unrepentant villainy of Wes Studi's character, in particular, recalls the moral simplicity of countless earlier Westerns.
Even the most sympathetic Indian character in the movie, Kicking Bird, is not kind to Dunbar merely to be friendly but because he believes he can get useful information out of the white soldier about the other whites who are encroaching on Sioux territory. The interaction between Dunbar and the Sioux is powerfully effective precisely because the Sioux remain true to themselves. They are not cartoonishly hostile like the Indians depicted in old Westerns, but they are not soft or naïve either.
While this movie draws its inspiration from American epics as diverse as The Birth of a Nation (1915) and The Searchers (1956), its originality lies not only in its respect for Native Americans but also in its intensely personal treatment of the main character. Few other three-hour epics (Lawrence of Arabia and Braveheart come to mind ) have developed their protagonists as fully and dynamically as this movie develops Costner's Dunbar character.
Even after fourteen years, the Dunbar character's arc, going from a suicidal soldier in the opening sequence to an adopted Sioux who in the final scenes puts the needs of his people ahead of his own, is still one of the most remarkable I've seen in any movie. Costner's performance won no awards that I know of, but it provides the movie's indispensably tight focus. He's completely convincing every step of the way, if a bit too clumsy and self-effacing at times, hitting his head in the dark and fainting after a confrontation in a heavy-handed attempt to demystify the West.
Another quality this movie shares with The Searchers is that it associates the physical challenges of the frontier with the testing of the soul. The Dunbar character cleans out the watering hole at the fort because he refuses to lose his humanity like the men before him who abandoned the fort. Later he cannot decide whether he feel more or less at home in the presence of the Sioux, because he is struggling to remain true to himself even as he remains unsure of who he is.
This movie probably disappoints viewers who are looking for sheer entertainment. It's a quiet, thoughtful story, and although there is action in it the focus is on how the action transforms the characters (particularly Dunbar) rather than on the action itself. You won't see any computer-generated comic-book characters in this movie, but you will see real people having real conversations, and you'll see Costner and costar Mary McDonnell engaging in such intimate and convincing love scenes that you'll forget they're acting!
If I could rate the musical score for this movie by itself I'd give it a perfect 10, because it's one of the best I've ever heard, able to stand on its own but fitting the movie like a glove. It is sentimental without being schmaltzy, noble without being pretentious. Best of all, it captures the hesitant emotions of the story, the sense of curiosity overcoming fear and becoming trust.
Only this movie's extreme length works against its total success, particularly in the special edition that runs nearly four hours. The three-hour theatrical version is still long, but it's difficult to say what should have been left out of it.
Some people still resent the fact that Costner won the Best Director Oscar over Scorcese's Goodfellas. There's no question that Scorcese is the better director, but I believe the direction of Dances With Wolves is better than that of Goodfellas. If you disagree with me try this test: imagine that Scorcese did this movie, and Costner directed Goodfellas. It's a question of which directing job is better, not which director is better.
Unlike most epics, this movie ends exactly as it should. The final images, such as the journal floating down the river, the white man and the Native American speaking English to each other, and the brave shouting his farewell from the top of a cliff, are so beautiful and dreamlike that they manage to be both joyful and sad. This is a movie that looks into the very fabric of this country's past, and asks us to do the same.
Rating: 10 (Good job, everybody.)
- A story of a lost way of life.by 8 August 2002on
162 out of 200 people found the following review useful:
`Dances With Wolves'
When I first saw the movie Dances With Wolves several years ago the story affected me in a heavy way, so much so that I decided that it would be a long time before I watched it again. The story is not entertainment. It is a lesson. Last week I watched the movie again with a new understanding. Many of the published reviews seem to dislike the movie for various reasons. They are the ones that missed the point of the story.
The story is, of course, fiction based on a novel by Michael Blake. Fortunately, Michael Blake also wrote the screenplay for the movie insuring fidelity with his vision. To the credit of Kevin Costner, who was one of the producers and the director, he allowed the story to be what Michael Blake had originally created. Costner showed great sensitivity in not only capturing the personalities of all the major characters, but making the land itself (in this case South Dakota) one of the major players.
The land was not just a backdrop or playing field. It was the main character and very much alive. The cinematography was some of the best I've ever seen and in the tradition of the great movie director, John Ford. Ford had an ability to present the land in all its beauty, which also just happened to have a story occurring on it.
In Dances With Wolves, the land of South Dakota might initially appear to be a bleak place, but as Lieutenant Dunbar (Costner) spends more time at his isolated fort, he somehow slowly merges his soul with the surrounding territory. The life on the land eventually stumbles onto his location, including a wolf and a tribe of Sioux. The Sioux and Dunbar mistrust each other initially but through curiosity learn how to communicate with each other, however painfully slow. The wolf too was curious about the soldier, but kept his distance for a while. Finally, the wolf trusts Dunbar enough to play with him on the prairie. The Sioux see them playing. Here was a white man not killing the animals. He had earned a new name: Dances-With-Wolves.
The main difference between this movie and a John Ford movie was the way Costner humanized the Sioux characters. In a John Ford movie, most Indians were the enemy. The only 'good' Indians were the cavalry scouts, but we never really met these scouts as people. John Ford hired Navaho people to play the parts of Indians in his cavalry trilogy, Fort Apache, She Wore a Yellow Ribbon and Rio Grande, which were filmed in Monument Valley on the Navaho Reservation. Years later, Ford attempted to humanize the Native Americans in a movie called Cheyenne Autumn, but by then Ford was an old man and had lost most of his creative genius. It is a hard movie for me to watch.
Costner's movie takes great pains to allow us to know the Sioux characters. The story is about them as seen through the eyes of a perceptive white man, who had been given a new life by the gods when his attempt at suicide ended with his recognition as a war hero.
What I see when I watch the movie: I see ten thousand years of evolution and experience of a human tribe on the North American continent with the most recent characters at the leading edge of the current (1860) time. The character's lives are so well presented that I sense the history of their past In other words, I understand why they do what they do. What depresses me about the movie is that I know the ending but the characters don't. I know that their natural way of life is coming to an end. The characters don't know. To me, the movie is a story of the 4 billion, six hundred million years of natural evolution which is about to meet technology. Technology will be as devastating to this tribe and the land as if an asteroid had hit the earth.
The beauty of the Sioux life is so precisely shown in this movie. Their everyday routine of just living off the land is seen the same way as a buffalo eating the grass. The Sioux adapted to the land the way it was. You see the grass move in waves like the ocean does when the invisible winds touch the surfaces. You see the effects of the same winds that blow across the face and hair of Stands-With-a-Fist. You hear the same winds. The same winds take the smoke from the lodges away from the village. The land and air and life merge in a poetic movement.
The horses seem more natural and free in their herd next to the village. They are part of the tribe. You can see the magnificence of the Sioux riders as they become one with the horse as they hunt the buffalo. I suppose, in a way, the horse was a step in technology for the Sioux since they didn't have the horse until the Spanish Conquistadors brought them. But when they adapted their life to the horse, they became a great people. I look at it as a step in evolution, not a step in technology.
We find that the holy man, Kicking-Bird, played by Graham Green, was a hen-pecked husband, something we can all identify with no matter what race or ethnic group. His wife saw more than he did, especially the budding love between Lieutenant Dunbar and Stands-With-a-Fist, who was played by the heavy-duty stage actress Mary McDonnell. She is important to our story because we understand the Sioux from her translations. As an actress, she was so convincing in her struggle to remember long forgotten English words from her childhood, from the time before she came to live with the Sioux. Kicking-Bird on the other hand represented the soul of the Sioux People. He was patient and was the type of person you would want as a friend.
We have Rodney Grant playing the part of Wind-in-His-Hair, the warrior who was quick to anger but was smart enough to listen to his elders and not kill the white soldier. Rodney Grant represented the beauty and pride of the Sioux People. He speaks the last relevant words in the story by proclaiming that he is the friend of Dances-With-Wolves. Before Dunbar became Dances-With-Wolves, Wind-in-His-Hair would have been happy to kill him.
`Red Crow' Westerman played the part of the chief, Ten-Bears. We've seen him play the part of a shaman in other movies. He represented the wisdom and of the Sioux People and was also their prophet.
What movie about Native Americans could be told without Wes Studi? In this movie he plays the enemy Pawnee so convincingly that you really hate him. Not only is he the enemy to the white man but the Sioux also. Wes Studi can be very intense in his savagery, but in the eyes of the Pawnee, he was only protecting his tribal interests.
So we see the Sioux and, to a lessor degree, the Pawnee in their soon-to-end natural states. We immediately feel at home with the Sioux. The Pawnee aren't quite as lovable, especially when we see Wes Studi scalping the muleskinner. The first disturbing scene is when the Pawnee attack the Sioux village and we see that to save themselves, the Sioux need the technology (the rifles) of the white soldier. The Pawnee were so fierce looking (again convincingly by Wes Studi) that we fear for the Sioux tribe but see that the rifles are out of place in this natural world. It is another technological step in the same magnitude as the horse. But for all their beauty and greatness, we know they cannot win the final battles with the white civilization because they are so grossly outnumbered.
There is the core of the problem. The over-population of the modern civilization overruns their own land so they come to the land of the Sioux and destroy without asking. You could see it in the face of every tribal member as they walked past dead and skinned buffalo which were left to rot in the sun after the buffalo hunters had skinned them for their hides. They were absolutely stunned and sick at the sight. Whoever did this had no soul. I extend the message of this movie to today and see population running amuck, stripping the land of resources and changing the atmosphere. It is too painful to contemplate.
To emphasize the loss and waste of the beautiful prairie life, near the end of the movie we see the soldiers shooting at the wolf for fun. The wolf is confused and doesn't understand that bullets are hitting near him. Eventually a bullet strikes the wolf and we hear him cry out. For me that was the most painful scene of all because I know that's what people do. I see people kill a beast for the trophy. They take it home and hang it on the wall. The soul of that animal has been cast aside by a human, which has no soul.
The beauty is not in the trophy. The beauty is in the life. The ending for the wolf represents the ending for the Sioux and all the other tribes that lost the natural way of life. Therefore I am just as disturbed for the Sioux as I am about the wolf. I am disturbed for the future of the Earth.
- Spectacular epic and one of the greatest 90's movie classicsby 19 November 2003on
121 out of 162 people found the following review useful:
This is the type of a film that's never boring no matter how often you watch it. It deserved every single award it got. It's touching, it's timeless and it's downright beautiful. I'm not a huge friend of extended versions because there's usually a perfectly good reason to take something out of the film and none whatsoever to put it back again, if pleasing hardcore fans isn't a good reason - that's totally a matter of opinion. However, "Dances with wolves" is certainly an exception.
The nearly four hour version is the only one to be. Sure it sounds like it's too much but when you watch the movie it doesn't look a minute overlong and cutting even a second out of it would seem like a horrible crime. The original theater version was 52 minutes shorter which sound too cruel to be true. I mean really, what's there to cut? If you haven't seen "Dances with wolves" yet you have missed one of the greatest motion picture experiences of the 90's and you should do something about it instantly.
- Lt. Dunbar's worst fears have come true.by 8 July 2003on
106 out of 148 people found the following review useful:
This film is a sweeping epic that you'll never forget whether you liked it or not. It tells the tale of love, loyalty, friendship, and self-realization in a magnificent setting among a great people, and during a time of strife. This film put Kevin Costner on the map as a Hollywood star. He could use a hit like this one right about now.
The first thing a viewer is struck by is the amazing landscape of western South Dakota. If any of you have never been out that way, do your self a favor and check it out. It will blow you away. The musical score is also very beautiful. The Indians look so authentic that they almost blend into the scenery even as we get to know them as individuals. It's hard to imagine that Plains Indian culture could have been depicted more realistically.
The story deals with Lt. John Dunbar (Costner), a disillusioned Civil War vet who asks to be transferred to a western post so he can see the west "before it's gone". He is then sent to a deserted fort where he finds himself in the precarious position of being the only white man in a land of Indians who seem intent on stealing his horse. He decides to try to get to know the local Sioux tribe and eventually becomes one of them. In finding a place in their society, he finds himself, so to speak.
Dances With Wolves is a very good film. I think it belongs in the top 250 to be sure. It is a little slow at times, but so what? A lot of great films are. Other than Dunbar, there are really no positive white characters. This is understandable considering the subject matter, but the barbarism of some of the soldiers seemed a little over the top. Other than that, no real gripes.
For me, the most memorable scene was when Dunbar and Kicking Bird were discussing the number of whites who would be coming into the territory.
Dunbar: You've often wondered about how many white people will be coming. There will be a
lot, my friend.
Kicking Bird: (in English) How many?
Dunbar: Like the stars. It makes me afraid for all of the Sioux.
Unfortunately, this fear has come true. All one has to do is drive out to White Clay, Neb. and see them sitting there. Along the street. Drunk by mid morning. The descendants of people like Kicking Bird and Wind in His Hair. These men would have been out hunting buffalo or battling with their enemies 150 years ago. Now, there is nothing for them to do. They have two choices: Stay on the reservation and live out a life in poverty while keeping their traditions alive, or try to make it in the cities and cast off their traditional ways. A tough choice to be sure. Watch the movie Thunderheart to get an idea of what these reservations are like. It's not a pretty picture.
The destruction of Indian Culture was not the goal of the United States. It is merely a CONSEQUENCE of the idea of Manifest Destiny. The Sioux are a magnificent people. What has happened to them could be summed up in one word: tragic.
10 of 10 stars
So sayeth the Hound.
- magnificentby 26 August 2003on
101 out of 139 people found the following review useful:
I like to watch lots of films, pretty much any film in fact, therefore I can tell you i have seen a fair few duds. I have also seen some spectacularly brilliant films. Dances With Wolves is one of them. For me to have the patience to watch a film more than a couple of times then the film needs to make me want to watch it over and over. Let me tell you I have seen this film more than a few times. I think you know when a film is special to you when you watch it and you keep thinking to yourself "oh this scene coming up is great", if you can say that continually whilst watching a film then you know you are watching a great film.
As for the film itself, cinematography has never been bettered, Costners acting is OK but it his presence rather than his acting that has brought gravitas to his movies, you certainly cant argue with his directing, which along with Orson Wells, Tarantino and a few select others must rank alongside as one of the best directorial debuts. The supporting cast is excellent especially Graeme Greene who is the wonderful Kicking Bird and of course Rodney A Grant.
I shamefully dont know too much about the history of the Indian population in America, so I dont know whether the events or portrayals in the film are accurate, however artistic license is surely allowed when making what is first and foremost a piece of entertainment. Being British I have seen many an American film with British stereotypes, not once have I been offended or appalled, as I see them as interpretations, God knows British filmmakers are just as guilty of such generalisations when it comes to "foreign" characters.
Marvel at the wonderful film-making in this film not political inaccuracies after all this is a story, and a damn fine one at that, remember King Kong didnt really climb up the Empire State Building and you dont here gorillas complaining about being misrepresented. This is a point of view expressed in a great film.
Personally films dont get much better than this.
- Best Native American Film Ever Madeby 5 December 2003on
110 out of 165 people found the following review useful:
This film is certainly one of the finest films out of Hollywood in recent years. It accuratly shows how "The White People" ran roughshod over the native americans and eventually took everything they had (their land, buffalo, etc.). The end of the film is heartbreaking where it says on screen that the Indians and the Horse culture were "passed into history." I suggest every history teacher show this film in their classes so future generations can see what a proud race of people the native americans are, and what we did to them.
- One of the 15 best Movies of all Timeby 2 July 2003on
123 out of 201 people found the following review useful:
Dances with Wolves is a great movie, make no mistake about that, Kevin Costner had lighting in a bottle. Costner has not come close to movie success since wolves. The cast is excellent, Kicking Bird, Stands with Fist, Wind in his Hair and my quiet favorite smiles a lot, smiles a Lot had trouble with growing up and becoming a brave, until it is forced on him, his mood after he has killed the first time is priceless. Some people say Dances with Wolves was an anti white movie, that is total bull, it tells the true story the way few movies have of the cruelty of the white people. People don't want to admit this movie is a true telling of the way white people treat other races and nature. It is a hard movie to digest.It is a hard movie to admit the truth. The other thought is a lot of movie fans want car chases and explosions. If a movie is thoughtful, it is labeled boring. Dances is one of the top 15 movies of all time. 9 out of 10 stars. Dances with wolves I am wind in his hair Do you see that I am your friend? Can you see that you will always be my friend?
Original Title : Anna Karenina Release Date : September 6, 2012 Popularity : 2.255653 Original Title : The Great Escape Release Date : June 20, 1963 Popularity : 2.408327 Original Title : Girl, Interrupted Release Date : December 21, 1999 Popularity : 2.307816 Original Title : Shanghai Noon Release Date : May 26, 2000 Popularity : 2.563411 Original Title : The Fisher King Release Date : September 9, 1991 Popularity : 2.239753 Original Title : Pocahontas Release Date : June 14, 1995 Popularity : 3.603232